The Aesthetic Orientation Of Popular Culture Under The Background Of Research And The Creation Of Ceramic Art

Art is able to express and reply to the culture as there is interplay of art and culture.In the contemporary China, it has brought a “three pillar” situation of popular culture,elite culture and mainstream culture. Due to the quality of the spread advantage andaesthetic universality of the public culture, public culture exerts profound influence on alllevels of society, which plays an important role in ceramic art creation. The Chineseceramic art, which is in modern art trends, has been loitering between traditional art andmodern art all the time. Because of the essence of nationalization, here which meansceramic art draw spirit of Chinese culture, and due to the culture is always updated bytimes`changing, the ceramic art has to get back to public life and aesthetic, which canhelp us discover the tendency and characteristic of the change of Chinese culture, thenwe adopt it to our creation, that is the one and only way to seize the essence of Chineseculture and the inevitable of art nationalization.Artistically, ceramic art products in the modern sense are hard to be understood inthe aspect of art as its development always companies with the influence of so manydifferent reasons like aesthetic and sociology. Based on the great effect that popularculture has exerted on our aesthetic value orientation, the writer discussed the impactwhich the mass culture put on ceramic culture in multi-dimension. Firstly, from theconception, this article interprets the development and influence of public culture andalso analysis its dividing line and aesthetical features. Secondly, according to the thoughtof contemporary design, it lays emphasis on the manifestation of contemporary ceramicart which is in context of popular culture. Furthermore, comparing to the types of ancientand modern ceramic art creation, the writer found the differences of modern ceramic artcreation in context of mass culture. From the angle of aesthetic and design, the authoralso explained the relationship of public culture and ceramic art development. Finally, bylisting some cases of contemporary ceramic art creation in context of public culture, anddoing the exploratory study of the ceramic art development direction from two angles ofaesthetic standards and art creation form, the writer is in order to provide some goodsuggestions to the artists and designers theoretically and practically, and that can be ableto promote the development and make some progress of Chinese ceramic art.