One Kind Of Artistic Conception, One Kind Of State

In Chinese traditional aesthetic thought, the meaning of the word "state" has veryabstruse. East since Buddhism, and gradually into the aesthetic cognition structure ofintellectuals, many famous words flowing in the Buddhist scriptures into Chinesetraditional philosophy, but also enriched the connotation of Chinese traditionalaesthetic art beauty and beauty. Today, the art aesthetic mentioned in the "realm" and"day" of the pair of words, its aesthetic meaning from the Buddhist scriptures,actually they are wei-jin intellectuals when reconstructing metaphysics system activeextract, and for the later development of traditional art laid the foundation ofextremely rich aesthetic.When the pair of words has gradually become the standard of aesthetic, artisticjudgment, also became the artistic creation must follow the law of aesthetics. Term isabstract, to this kind of abstract, metaphysical aesthetic rule, must depend on theactual technical operation of artistic creation, support this a series of artistic creationprocess actually comes from the artists themselves visual aesthetic ability, this visualaesthetic ability from both artists on previous learning and reading of classicalpainting, also to nature, to the life, from the painter’s deep understanding of the arts.Only to incorporate this kind of cognition and understanding into artistic creation, wasable to finish completely "technology is almost" substantive change, to achieve thebeautiful artistic conception and connotation of the art of painting.Although there is no national boundaries of art, is a national. The generation of any akind of art is inseparable from the specific environment, a particular race, a specificcultural constraints, because of national art with this special cultural genes, to becomethe world’s art."Literati painting" in the traditional Chinese painting system occupythe overwhelming superiority, in fact, since the Song and Yuan,"literati painting"aesthetic rule has been the mainstream in the development of China’s art, this set ofaesthetic cognition system actually comes from (the) Chinese Buddhism Zen,intellectuals a metaphysical interpretation of Zen philosophy, and makes the Zenaesthetics in the literati paintings occupy a considerable proportion of the aesthetic mechanism. This is the Qing dynasty painting PU HE said "only through Zen"."Swim","play" and "escape", in fact, in the moment of the birth of literati art, will beour focus on depth behind the painting of that kind of thought, of pursuit is a kind ofbeauty, spiritual beauty, personality beauty. Oil painting art to household, buildingdecoration, it is pursuing a vision of beauty, seeing the painting art itself is a color,composition, decorative beauty. This and Chinese traditional aesthetic thought has thevery big gap. So, since the day was introduced into China oil painting art, tried allsorts of "Chinese style", such as going to the shadow, weaken the relationshipbetween light and shadow, etc., all of which in fact more is on the skill level ofoperation. The real source of "nationalization" in fact is the deep aestheticreconstruction of cognitive structure, this is about to rely on the artist’s own visualaesthetic ability reinforcement. Any a kind of art form is a "tool", is for the painter toexplore the ultimate purpose of life and the ideal, the ultimate humanistic care spirit isto "incubator" in the ethnic cultural gene.This article mainly "advocated classic, classic" as the theme, is related withvisual aesthetic ability, from the author’s perceptions of the simple line; Visual plasticarts in the understanding of the edge line; Visual space of the ideologicalunderstanding; Oil painting color and GouChengMei expounds several aspects, suchas, in order to comprehensive understanding and understanding of the visual aestheticability of artistic creation, so as to interpret the artistic value of the works, and artisticrealm.This paper consists of introduction, text and epilogue three parts. In theintroduction part, mainly on the paper selected topic "a heavy state a heavy day" asthe origin of the research subject and the background analysis of the introduction, atthe same time demonstrate the visual aesthetic ability as the rationality of thebreakthrough point, this paper study on the oil painting art in the improvement ofvisual aesthetic ability is closely connected with Chinese traditional aesthetic ideas.Body part consists of three small section. First chapter in the cognitive system oftraditional Chinese and western aesthetic terms of aesthetic interpretation, to draw outthe thesis selected topic research focus; The second chapter carries on the first part, mainly discusses the painting art of light and shade lines, edge lines, spatialprocessing, the understanding of the factors such as color, find the correspondency ofassociated with visual aesthetic ability; The third chapter, from the perspective of theartist’s quality, analyzes the artistic creation of visual aesthetic ability and the sourceof artistic thinking, so as to further demonstrate the importance of the visual aestheticability in artistic creation and particularity. The third part is conclusion, summarizingthe whole article, visual aesthetic ability of oil painting art has a high degree ofrecognition and understanding, through the different historical period, different typeand different aesthetic ideas of comb, sort out the core of the artistic creation of visualaesthetic ability. On the basis of "advocating and inheritance","Only painting throughZen" creation concept, rational look at today’s oil painting art in the light of all kindsof good sex and exploration breakthrough.