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On The Chinese Ink Figure Painting View From Xu Beihong Painting Style

Posted on:2014-05-22Degree:MasterType:Thesis
Country:ChinaCandidate:Y ZhouFull Text:PDF
GTID:2265330401479850Subject:Chinese figure painting
Abstract/Summary:PDF Full Text Request
Long-term since, the traditional figure painting modeling concept has deeplyinfluenced the Chinese painting, traditional painting style and despise other led to thedecline of figure painting. During the Ming and Qing Dynasties is follow the beatentrack, indulging in copying paintings, and divorced from reality. Xu Beihong saw theevil, puts forward the idea of introducing western modeling to improve Chinesepainting ideas, promotion and set an example by personally taking part of Westernrealistic method. Changed the Chinese figure painting way to follow the beaten track,has brought the huge change for figure painting development.Based on the Xu Beihong painting modelling on the relationship between Chinesefigure painting and modelling. Research through a large number of read theinformation, opinions, hoping to help the research of contemporary ink painting. Firstof all, the first chapter of Chinese traditional painting, the other is. Chinese traditionalpainting style is mainly to line shape, is flat, and the scattered Chinese perspectivemodeling method based. Later, Xu Beihong is how to treat the Chinese painting, andhis view is, he thinks that the traditional Chinese painting to ink instead of form andcontent, thus brings disadvantages. The second chapter, proposes the introduction ofWestern painting modelling view and Xu Beihong of western style, and his "Chinesepainting improvement theory" proposed in paper stylized way of Chinese figurepainting. The third chapter, the differences of traditional Chinese painting andtraditional Chinese painting of Xu Beihong and Xu Beihong’s works gives usenlightenment. Since using that theme in Xu Beihong’s works, the theme is to expressthe content, and the traditional pen and ink is a kind of taste. Xu Beihong’s improvedChinese painting to form, content for the influence to Chinese painting is enormous.There are a number of new Chinese figure painting style. The fourth chapter, study onXu Beihong’s aim is, painting is a content, through content Chinese painting to thepremise of the sketch painting the figure painting to go.
Keywords/Search Tags:Ink, modeling, improvement, enlightenment, content
PDF Full Text Request
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