Rossini Song Cycle Of "Venice Regatta," The Artistic Characteristics And Singing Styles

In the European history of vocal music, a composer was once known as the "Beethoven of Italy ", as the nineteenth Century " Bel Canto " one of the big three s he,not only created a " Bel Canto second golden era " on music made greatcontributions to the development, but also for future generations of composers toproduce far-reaching effect, he is Gioachino Antonio Rossini.The classical period and early romanticism of Rossinis works is a prolific stage,the work involved in the field of opera, art songs, chamber music, such as Cantata,this paper selects Rossinis vocal divertimento " Venice Regatta ", mainly on theartistic features and singing style of study and analysis. The article has four parts, thefirst part introduces Rossini and his status in the history of music, as well as Rossinivocal works of general characteristics; the second part of the Rossini vocaldivertimento " Venice Regatta " creation background and artcharacteristic, includingItaly Venice humanities and Regatta origin; the third part discusses Rossini vocaldivertimento " Venice Regatta " vocal style, elaborated the meaning of canto and Bel,from the singer singing timbre and volume and other aspects of analysis, through theGerman mezzo-soprano Krista Ludwig, the United States of America lyric sopranoBarbara Hendricks and Italy Saiqian Leah, Mezzo Soprano Cecilia Bartoli, differentsinging treatment for comparison, combined with his own singing, total knot how toproperly hold " Venice Regatta " vocal style; the fourth part analyzes the vocal musicdivertimento " Venice Regatta " vocal difficulties and proposed solutions, with thesingers language, tone, singers and piano accompaniment cooperate, mistress A Sabud tower heart Changes and musical forms and characters of artistic expression andother aspects of the argument.