Prototypes Of "stone" Image

The research on prototype of the “stone” imagery,aims at combining itsprimitiveness with its collective,in the hope of gaining the symbolic meaning whichcontains aesthetical,ethnic and cultural characteristics.The paper which includes thefollowing three aspects: aesthetical analysis of “stone” imagery, characteristics ofmyth and folklore,pervasion of reginal culture,explores prototype of aesthetic,characteristics and connotation to complete the research on prototype of the “stone”imagery,avoiding the defect on the theory of prototype,taking contemporary ethnicpoetry in Guizhou as an example, with the multi-ethnic culture of Southwest being as aguide.The paper is divided into six parts.The relative concepts,the background and themethods and significance of the study are summarized in the prepace.The aestheticmanifestations,causes and significance of the “stone” imagery of contemporary ethnicpoetry in Guizhou is drawn attention to in the second chapter basing on the importanceof “stone” imagery in the folk culture of Southwest in China.In the third chapter,withthe geographical and cultural poetic of “stone” imagery established in the “stoneculture”and “mountain geography” of Guizhou, the “stone” imagery of collectivesystem is constituted.In the fourth chapter, with the perspective of the classic “stone”imagery brought to,the analysis of the development of contemporary ethnic poetry inGuizhou in the future is performed.The conclusion of the the whole paper is given inthe last part.