David Fincher Film Studies

The famous director David Fincher as a world-renowned, almost each of the works areclassic. Film techniques skilled, ingenious, visual impact and artistic tension, has formed atype of personal style movie mode, the perfect combination of Motion Picture Arts andcommercial value. This article relates his life as well as film-making and research status,David Fincher describes the general characteristics of the film noir and David Fincher’s filmnoir Origins of the Formation.As a very personal style of film director, David Fincher, known as the uncrowned kingof the Oscar in Hollywood and around the world, his films are unique, especially the blackwind of the movie, called the film a textbook. His films are rich in content, skillfultechniques, and information content. However, from the movie black style angle fewresearch paper, this paper focuses on the basic elements of the David Fincher movie twolevels departure from the language of the camera and text content to study the style of DavidFincher’s film works black. David Fincher film noir type characteristics, summed up thestyle of the film characteristics and style of rheological and breakthrough. Explore the filmlens to use language and text content, technology and content, form and content, means ofexpression and the final effect natural to combine the study of film lens performancepractices, including point of view, composition, scheduling, light and shadow, color, editing,audio movies the most basic elements. From the level of film aesthetics the movie cameramovement, involving film professional use of technology, as well as study the connotation ofthe film text Multiple Meanings, including the theme, characters, plot, perspectivesconstitute the basic elements of the film text, a more comprehensive understanding of DavidFincher movie black style characteristics and connotations.Fewer types of film noir film market in China, the development of less mature. Thestyle of David Fincher movie, trying to summarize the theoretical basis for the type offilm-making practice and theory closer together, it has the most film-making and practice ofcontemporary Chinese filmmakers the basic meaning.