The Use Of Breath Shaping Female Characters In Puccini's Operas

Puccini, has been recognized as the representative of the operas of the19th century, following the Verdi after the most important composers of Italian opera,the true doctrine. The female characters in his works are more popular, the famousaria of these female characters has become a major concert will sing the track.Therefore, the female role of Puccini’s further research is essential.Second, for the past30years there have been scholars to conduct research onthe role of these women, analysis and discussion of Puccini’s famous aria, but I wasdrawn by retrieving and viewing information from the current study was specificfromthe use of the breath of the significance of the Puccini opera female role shaping thestudy of the topic.However, Puccini’s musical style and his characters, femalecharacters have obvious characteristics of these two aspects of the research literatureis greater. If you separate them from the point of view of the use of the breath of amore in-depth analysis, I believe that would theoretically help provide other singersang Puccini female roles.Finally, the author the Qiao Qiaosang in the Puccini opera "Madame Butterfly"for example, in-depth analysis. Qiao Qiaosang ("Madame Butterfly") as an Orientalwomen, singing breath gentle dexterity, coupled with her as a young girl, moreflexible use of the breath easier reflect her personality.Therefore, I will Qiaoqiao Sangcharacter most representative aria-depth analysis of the use of the breath of the mainmeans to the gasification sound to sound emotional, which portray the characters. So,I believe that is the importance of the use of the angle from the breath of the portrayalof female characters in Puccini.