A Study Of Mannie 's And Qiao Qiao' S Sushi 's Destiny

The late nineteenth century, early twentieth century Italian opera composer distinguished Giacomo Puccini(1958-1924) with good lyrical melodies, rich musical colors, delicate orchestration orchestration create distinctive, full of tragedy female roles, whether it is silly Liuer, vibrant Tosca, Mimi is still weak, it can be deeply moved by the audience. It will be two Puccini opera "Manon Lescaut" and "Madame Butterfly" in the two heroines "Manon" and "Cio-Cio-San" drama, music image analysis and comparison, respectively grasp as East and West Women’s two heroes each style features provide the stage for the practice and teaching experience. The paper is organized as follows: Chapter and composer Puccini opera "Manon Lescaut" and "Madame Butterfly" are introduced. The second chapter Role "Manon" and "Cio-Cio-San" were analyzed and compared in both character and musical image,which thus leads to two opera roles similarities and differences. The third chapter analyzes the first two chapters, summed up in practice, how accurate artistic expression based on the needs of the role. I hope that by studying this topic, you can "Manon" and "Qiao Qiaosang" These two roles have East and West different cultural valuesmore in-depth understanding.