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On The Painting Of Mental Point Of Ambiguity

Posted on:2014-05-09Degree:MasterType:Thesis
Country:ChinaCandidate:Y P ShaoFull Text:PDF
GTID:2265330425453711Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Painting the door in China for over a hundred years of art, is nowgradually recognized by the mass. But because the soil of China containsthe artistic language is different, so gradually or human, or naturallytry into Chinese painting thought, since the founding of the PRC, wefirst learn to face five big tone from the Soviet Union, aftermechanical education industrial mode, and by the reform and openingup. We have more to accept a system from Europe is more detailed, systemof universal knowledge.In recent years, oil painting into the native mode of thinkinghas been paid more and more attention to, more and more artists haveput forward many fusion methods. As in color techniques, materials,methods, etc.. After verification of time and practice, after themillennium, Chinese philosophy into Western painting to organiccombination, is proposed to the artist, also gradually beingrecognized.Fuzziness of spiritual direction and I put the painting, that isin such a background through reading and understand me, learn andpractice experience and theory. Into the concept of spirit to is inthe painting art activities in the picture composition, procedure,process and the final picture of the whole and personal philosophy. Fuzzy spirit, the spirit to the idea do not detailed, more inspirationbut on the painting process. Spirit to the clear and fuzzy on thecontrary.My personal view of fuzzy spirit to the more to, and has been inadvocating and application.
Keywords/Search Tags:The spiritual direction perceptual, reason, StateOriental philosophy
PDF Full Text Request
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