Huo Jianqi Film Images Of Emotional Expression

All the time, research on emotion expression of shadow is seldom involved by scholars, and more research on direct visual perception of light by the audience, but all the light was finally accepted by the audience is actually the emotions play a role in the final acceptance, what the audience finally accepted is emotional shadow. In this case, from the angle of shadow and emotional interaction, my article deeply analysis the emotion in the light.Huo Jianqi is one of the " after the fifth generations ", but also has been a director who Has been engaged in creation and was known to the audience is probably from the film" the postman in the mountains " awarding at the Tokyo International Film Festival. The film Not shown in China but let the audience began to recognize Huo Jianqi.In2003the " warm " award-winning and has gained The attention of more and more scholars.the filmdom also began to pay attention to the director Huo Jianqi who has a unique style. This year, the film " Xiao Hong " just be shown also reflects his poetic temperament. The definition of Huo Jianqi’s representative work in my article comes from the introduction on Huo Jianqi in the television program " Tenth booth" respectively is " the postmen in the mountains "," warm "," life show " and " a time to love ", the four films in the former research of scholars appeared by the case form. What be concerned is the Poetic expression and the Beautiful picture and so on, but what these movies carry more is inner feelings of the director and the feelings of the characters in the film.Of course, emotion is based on specific perceived forms to make the audience feel, these four movies are defined as the representative of Huo Jianqi by Tenth screening room " is because they have in common, namely " the trials of a long journey always love ". the four films are adapted from contemporary novels,but the film based on the director’s intention choose a place different from the novels. In this circumstance, my paper find the more same aspects of Huo Jianqi’s representative works, more parts that especially designing of the shadow, because of the need for emotional expression, the growth environment of Huo Jianqi, and the education who accepted, the time for his creation all influence his creation. the rise of the nostalgia’s wave in the ninety time and His personal emotional desire together created The thick nostalgia of his works, the choice of filming locations is for the cognitive and emotional of Personal feelings of a place,the selection of specific scene and material and the selection of light and color are for the director’s understanding of story and the experience of people’s emotion in the story, these are all in order to make the film to achieve the style to pursuit and temperament to expression by the director. In short, the film finally touched the audience is the emotion conveyed by the shadow, and when the emotion of the film and the audience’s heart has a mutual induction, we can say that the transmission of the film eventually really complete.So, this paper has the ideas as follows. The first chapter is the introduction, the research background, research actuality, research methods and main problem. The second, the third and the fourth chapter elaborate, which is from entirely to small parts. The second chapter focuses on Huo Jianqi’s four representative works, that introduces the whole nostalgia means, this nostalgic reasons has tow aspects:one is the impact of the background, the other is director’s personal pursuit of art. The third chapter mainly analyzes the director’s emotional tendencies and emotional space from the aspect of film’s space, which respectively introduce where the story took place for the big aspects and the significant landmark for the small aspects. The fourth chapter specifically introduces the lens, the color and the content of lens can fell the people’s emotion in the story and the director’s emotion which invests in the things and people. Finally, the author has a conclusion which is from the emotion express of Huo Jianqi’s representative works:in the movies, the shadow outside and felt by audience is a form, meanwhile, the form is to convey emotions, emotions interact with the shadow.