| Ecological and environmental problems have become global issues. Because ofthe rapid development of modern technology，ecological and environmentalproblems getting more and more serious，the political，economic，cultural andother fields has made a rapid and effective response to this.Disaster movies are the carrier of the popular theme. Analyzing the mentalitiescontained in the movies，such as the natural game，bioethics，human salvation，from its particular structure and method，this paper will concluded that the mankindtowards disaster psychological with a holistic aesthetic angle. It has an importantsignificance for us to understand the artistic value of the disaster movie. Cause of thedirectors and the ages，disaster movies has large differences each other. It can get aglimpse through the analysis of different director，different styles，different eramovie，disaster movies in artistic ideas，theme settings，the value orientation andaesthetic pursuits. In addition，the disaster movie business value and social value of awin-win situation is worthy to investigators. While the film’s ideological dialecticanalysis and research to explore the performance of the awareness of life，furtherthinking and analysis is needed.This thesis is divided into three parts. The Foreword briefly discusses the causesand significance of practical reasons, as well as the topic of disaster film topics, plaincombed the general situation of the disaster movies in recent years the study, and abrief overview of the design ideas of this paper.The first chapter: The fundamental part of this paper. It’s consists of two parts.The first part of the paper brief introduction to the typical film, and expound theconnotation and characteristics of the typical film, and describe the classification anddevelopment of the typical film. This leads to the second chapter of the disaster movie.Then mainly summarize on the definition of a disaster movie, type, and thedevelopment of disaster movie. And generally explain the reasons for the disastermovie’s appearance. But also has played a basic role for the ontology analysis ofdisaster movie. The second chapter: Focuses on the skills of the disaster movies of artisticexpression. It’s analyzes the disaster film for three aspects: narrative structure, theshooting style and imagery elements. First, the narrative structure to expand thenarrative perspective of the narrating subject as the author or narrator, omniscient andomnipotent, and individual perception, spatial image and time course of the narrativecontent. Second, the shooting style is mainly consists of digital technology andaudio-visual elements, and analyze the disaster movie by context of the specific filmcase studies. Third, image elements are further discussed through the analysis of thecharacteristic elements of the disaster movie disaster movie artistic skills, whichimage elements, including the end of the world complex, floods, and the monsterimage.The third chapter: Focus on interpretation of the implication of the valuesembodied by the disaster film. This part has divided into two sections todiscourse. The first chapter is a lofty view of life, reverence for life analysis of thedisaster movie Bioethics view of life embodied in the disaster movie; the lifephilosophy of self-redemption; and explore the meaning of life from the disaster andvalue. The second chapter is a dialectical view of the ecological disaster film disaster.And it’s also investigated the natural attitude of people’s change, and began to careabout the ecological view of the human and the nature in coexist harmony. |
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