Prokofiev Techniques Of Modern Harmony

This article is to serge-serge has, Prokofiev (Seregy SergeyevichProkofiev,1891-1953), the late piano played four studies (sixth, seventh,eighth, ninth played the piano). This article through to the piano playedfour harmony, musical form aspects of the in-depth analysis prokofiev’sunique harmony language and rich sound. As is known to all, prokofiev’s20th century modern composer, his great personality harmony language isa model of our generation to study. From five chapters discussed hisextremely has the characteristic of harmonic language, the first chapter,introduction, discusses the reason for writing this paper, the writerintroduced the composer’s life, the composer’s piano works is introduced,the second chapter, the background of the20th century Russian music inharmony and style of thinking, through the20th century Russian music thisbig background, this paper discusses the development of20th centuryharmony language thinking. The third chapter, is the sixth, seventh, eighth,ninth piano sonata and techniques of analysis. Chapter iv for the sixth,seventh, eighth, ninth piano sonata form composition analysis, through thecreation background, chart analysis, text analysis, and so on three partsto complete this paper four sonatas the whole frame structure, the fifthchapter, prokofiev characteristics and aesthetic thoughts, modern andmodern harmony characteristics of prokofiev throughout the paper to analyzethe aesthetic thoughts.The first chapter the introduction selected topic reason in the firstquarter, second quarter composer prokofiev art life profile, the thirdquarter music composer’s piano works creation career fourth quarter review.From these three aspects to start my master thesis.Chapter2Russian music in the background of the20th century harmonythinking and style, this chapter, the thesis is through the main pointsof the thesis of the20th century Russian music harmony and style of thinking,to understand the development situation of the20th century harmonylanguage, as well as all impressionist after school.The third chapter is the focus of this article, namely: the sixth,seventh, eighth, ninth, piano sonata harmonic analysis and research, thischapter through the complexity of triads, seventh chord, the three degrees of superimposed triads and complex mode tonality to parse the prokofiev’sunique harmony language charm.