| Since the new century, Chinese television documentary can be described as impressive, peak after another, whether in the creative approach, thought content, presentation, or cultural patterns, spiritual philosophy, aesthetic value all have greatly improved with the last century. What, then delight we can find outstanding works rarely, range of subjects still unable to par with international, documentaries industry urgently a clear theoretical context as a guide. Therefore, documentary-style feature in the new century combing, different style of the old and new era documentary research, the factors on the changing style of video works exploring that seem particularly important. This is not only a documentary reclassification will certainly help, but also to open the record horizons, develop new wind record to help Chinese TV documentary industry diversified and healthy development.In this paper, literature review, case studies, statistical analysis method can be used, first the concept of the television documentary style of the interpretation, specifically discussed the formation of foreign documentary style, manifestations and influence factors; then discusses the2000-2012record of work in theme, narrative, lyrical three aspects of artistic style features and cultural centers, alley culture, southern culture, Qilu culture, style characteristics of Lingnan culture, proposed the relationship between style and art presented, aesthetic needs, social attitudes, the ratings; then article explores the international status of Chinese current documentary, future development and prospects of the road, and compared the foreign documentaries creative style, proposing that should be made to blend, open, diverse creative style to deal with international situation; final summarized the television documentary style in the new century, generalized the2000-2012television documentary on Chinese rich artistic style and distinctive cultural style of the specific characteristics. |
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