Yuan Kejia Poetics: Theory In New Criticism Between Poetry And Southwest Associated University

Yuan Kejia’s "dramatic" system of poetics in twentieth Century is mainly the Western Modernist Poetics (mainly refers to the new criticism and its corresponding to Eliot, Auden as the representative of the Western Modernist Poetry) is constructed and the poets group of poetry under the influence of the practice of comprehensive. Macroscopically, the Yuan poetry and the new criticism theory there is a "source" relationship, in general can be summed up with a "dramatic", embodied in the two aspects of endoplasmic reticulum and forms of poetry. At the same time, Yuan’s Poetics "dramatic" also held the Southwest United University poetry macroscopic characteristics.In the construction of poetics in the process, to the Southwest United University poetry creation practice makes the Yuan’s poetics with strong "local" characteristics. From the point of view of "human literature" position, the yuan poetic form a "Chinese style" Modernist poetics system, this system with the "Scientism" as the basic position of the new criticism has essential difference.In the nature of poetic experience, Yuan’s poetry and Eliot’s theory of "depersonalization" part company each going his own way, advocate the performance of the poet’s subjective experience and reflect the objective social reality, namely the "expression theory" and "theory of reflection","modernism" and "realism" binding. The new criticism represented by Eliot is advocating a world\realistic "object" knowledge, negative’s poetry is a reflection of subjective performance or reality.In dealing with the relationship between poetry and reality, the Yuan Poetic affirmation reality is an important object of poetry to reflect; the new criticism in poetry and reality on the widely different from other formalism schools--certainly poetry and reality "corresponding" relationship, but negative poetry on the reality, reflect directly, but that poetry should show deeper "reality", namely the "object", the "order", with some "metaphysical" color.These differences are also the final decision of the two kinds of poetics in the "body" of different."Modernization" orientation of the new poetry in the aspects of subject and the world opened wide growing space rich, provides the possibility for local creation work excessive "dependent" new criticism of the Yuan’s poetics. In the poetry of nature, poetry southwest through Yuan Kejia "rational" poetics box van to "irrational" field to dig (revolutionary shift, this is the twentieth Century humanistic thoughts is significant); in the poetry aesthetics, southwest of the UN General Assembly poetry subject consciousness "imbalances" breakthrough with "new classicism" the tendency of Yuan’s poetics pursuit of "harmony","balance"; in the methodology, Southwest United University poetry beyond the conception of Yuan’s poetic "objective" way of expression, so that the abstract thinking of ways to be established in poetic sense, this "breakout abstract thinking" is mainly embodied in the language level.