Dialogue Research David Wang Literary Criticism

After CT Hsia and Leo Lee, David Wang has become the leader of theoverseas Sinology. His literary criticism, good-natured and refined, butunconventional maneuvers, had a significant impact in the academic circles ofcontemporary literary criticism. This study means that the dialogue the DavidWang literary criticism oriented.Born in China and a guest in the United States, David Wang’s specialexperience is bound collision of Chinese and Western ideas in his mind. DavidWang’s identity has gradually blurred in such dialogues, what is difficult to define.Such Collision indicated dialogic nature of his Literary Criticism.In David Wang’s view, as a genre, the novel can not play a role for nationalsalvation. When novel load the excessive political and moral functions, its literaryvalue will be greatly diminished. Uninstalled many function of novel. DavidWang then got rid of the love between literary and ideological, and emphasizingthe novel’s fictional and independence. However, at the same time he stressed thatthe fiction of "small", he stressed that the novel’s "big ": it wants dialogue withreality and history.The sketched lineage is an important criticism mean of David Wang. Suchcriticism of the way, and provide new ideas to the Chinese Contemporary LiteraryCriticism. One of the most compelling, is a”Zhang faction pedigree” she lays out.On Criticism Style, David Wang has created a new Criticism Style: A Style ofSimulating Fiction.Carnival critics thinking makes his literary criticism has a strong dialogue.The coronation of the late Qing literature and the decrowning of May Fourth,identify a repressed modernity. May Fourth, since the1930s, each the mainstreamliterature repressed writer, genre, such as New Sensation School, Mandarin Duckand Butterfly; and so on.From these things, David Wang make efforts toreconstruct the territory of Chinese Literature.