Passing Xiangcheng

The theme of this thesis is to study the landscape heritage of the father and son each other. Because parents often played the role of Enlightenment and Professor in the study of Chinese painting, and can pass on the most direct way the child generation. In the paper, the characteristics of the landscape painting style of Mi Fu, meters Friendex; Ma Yuan, Ma Lin; Guo Xi Guo Si father and son, the causes of style, Aesthetic Theories comparative study and analysis, trying to analyze their work for father works in pen and ink language and symbolic features inherited, which reveals some of the features of this family art history mode, in traditional Chinese cultural perspective, pay attention to some of the traditions and customs of the door first, the well-known painting in China the heritage of the genre, this type of family heritage in the performance of the education model, fathers ancestors to create a new painting technique of expression, and personally taught with the younger generation, so that the characteristics of this style to spread and carry forward. This article discusses the significance of heritage and innovation to elaborate on three different aspects of father and son inherited, for example, Mi Fu and his son focus is discussed from the perfect angle and carry forward, Ma Yuan Ma Lin and his son inherited his father discussed Ma Lin:corner some of the characteristics of the landscape, and Guo Xi Guo Si and his son is "Lin Quan Gao them linked together, their father landscape concept through the narrative mode of expression, its aesthetic thought to be spread so far. This article is intended to set forth the child generation how to inherit the spirit of the fathers art in artistic creation, has important implications with reference to the development of Chinese painting...