Color Ink Painting In Color Language Expression

With the development of the era, traditional ways of life and of thinking was impact by theadvanced ideological trend from the west world, and the east and the west culture collides andmerges.The process causes the change of traditional Chinese painting, which forms theintegration with the advantages of modern western painting colour, and rooted in traditionalChinese painting colour, a new kind of style picture in ink and colour painting. The emergenceof ink and colour painting is a new starting point for Chinese traditional painting, is therecognition of traditional painting, is a deep exploration to the west modern colour of light andcolour. Applying for ink and colour painting, although ink painting is important, the most deeplyrooted in the hearts of the people is the full expression of emotion with rich gorgeous colourlanguage which brings people the visual enjoyment. Therefore, colour language is the focus ofthis paper. Its effect of expression in the ink and colour painting is the main meaning of colourlanguage in ink and colour painting.The expressive force of colour language in colours on painting expresss feelings byanalyzing the images of "the structure relationship between colour and colour, such as therelations between hue, purity, lightness, area and position, etc.) and the performance of thecolour language skills and methods (e.g., brushwork, texture, materials, etc.), colour aestheticrules (such as multiple unity, contrast harmonic and rhythmic movements, etc.)" around thecolour of the expressive force of language in all aspects. Because of the painting art develops inthe direction of diversification, the transformation of the traditional aesthetic concept, colourlanguage and its form is also becoming complicated, and pay more attention to the performanceof subjective emotion and spirit. Colour performance is no longer limited to a single form, but inthe new art concept and innovation performance form, colour of multiple effect, achieve thecolourful picture. Line from colour aesthetic features, this paper, ink and brush strokes includingpaper and the relationship between colour and the colour language in the fusion of eastern andwestern painting in the creative aspects of in-depth exploration colour language expressive forcein the colours on painting. This paper divides into four chapters to discuss the expressive force of colour language inthe colours on painting: the first chapter is about the colour language understanding and theunderstanding, because the ink and colour painting is the result of the fusion of Chinese andwestern, so first analysis of colour words in Chinese and western painting. The second chapter isthrough the formal beauty, harmonious beauty and implication of the colour aestheticcharacteristics from the three points into action (as they do in the colours on painting. The thirdchapter is to analysis of the middle route of the ink and colour painting, ink, pen and paper, andthe relationship between the colour and discussed through work. The fourth chapter is about thecreative fusion between east and west through the analysis of the works of ink and colourpainting colour language, the combination of the traditional Chinese ink painting and heavyvariety, the integration of folk art and the western colour in the use of colours on painting.Colour language in the colours on painting shows the unique artistic charm, letting morepeople want to go to understand and study it, so it’s will be more brilliant in its development andevolution road.