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Opera "Manon Lescaut" Manon Characterization And Singing Studies

Posted on:2015-02-01Degree:MasterType:Thesis
Country:ChinaCandidate:J R LiFull Text:PDF
GTID:2265330425996011Subject:Music
Abstract/Summary:PDF Full Text Request
Giacomo Puccini (1858-1924), full name: Giacomo Antonio Domenico Michele SecondoMaria Puccini, Italian composer, the end of the19th century one of the representative figureof the real socialist opera. His works inherited the Italian real socialist opera tradition andhumanitarian spirit, from the selection of opera theme, molds the character and theirencounter various aspects, such as are very close to the daily life of the audience, showingpoverty at the bottom of a worm and truly revealed the social injustice, inequality, easier tocause the audience’s sympathy and attention. The opera art means adopted by the bothtraditional and innovative, at the turn of the century the world opera stage occupies theimportant position, is known as the19th and20th century Italy’s most influential after verdiopera composer.Puccini lifetime wrote12operas, quantity is not much, but every one is fine, still activeon the world opera stage. Among them, make the puccini’s famous opera "Manon Lescaut", inFebruary1893in Turin, Italy premiered at the royal opera house and a great success, not onlymakes the opera puccini fame and fortune, and the leading role of his later works, theme, style,etc, had a positive far-reaching influence, is a landmark work. Especially women shaping thecharacters, since the "Manon Lescaut" later, puccini has shaped a series of vivid, vivid femalecharacters personality, such as "La Boheme" innocent kind of Mimi,"Tosca" Tosca,personality and vigorous in "The Madama Butterfly" stuck in the love of madame Butterfly,and "mega-restaurant named Turandot" blank mega-restaurant named Turandot, includingseven operas are named after women. In the opera, Puccini all give their sincere personality,emotional, vivid image, embody a concentrated reflection of Puccini on their real socialistideas and affection for the female characters shape.The author will combine professional and own voice condition, choose the Puccinipopular "Manon Lescaut" the heroine Manon as the research object, the first chapter mainlydiscusses the Puccini’s life, Puccini opera creation background and creative stage, popular"Manon Lescaut" for a brief overview; In understanding the relationship between the contentof the operas, clarify the characters on the basis of the second chapter the author will from drama and music factors two generous facing the Manon the in-depth analysis of thecharacters; The third chapter will combine their own Manon three aria in the opera singingexperience analysis, mainly from the singing breath, articulation, method and processing ofthe songs from several aspects were analyzed, and the insight into the inner world of Manon,in the singing more perfect, more accurate expression of each song aria carelessness; The lastchapter will apprehend the Puccini opera in the analysis and summary of creation of theunique charm, especially the female characters Puccini all give their different personalitycharacteristics, sharp dramatic conflicts, beautiful melody line and tragic ending, this is alsothe Puccini opera important reasons.
Keywords/Search Tags:Puccini, Manon Lescaut, Music and drama factors, Singing analysis
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