Analysis And Research Weishan Yi Hit Song Music Acts

Dali WeiShan is the core of the yi in yunnan region, under the historical vicissitude and the specific living environment, gradually formed a unique concept of life and have their own characteristics of music culture and narrative, the local yi people in a symbiotic environment with wisdom to create and transfer their own culture. Da ge as a unique folk song, dance and music art has not only contributed to the national character and culture of ethnic groups here, also showed its living environment and to abide by the ancient beliefs. Them by its unique way of music for the combination of voice and body movements, expressed through the body’s behavior to record their daily life, and poetic language to sing, like showing a colorful music thing. A dynamic form of expression is not only extremely WeiShan yis passing information, an important way to express the culture and the cognitive world, also shows the long history and profound memory. In group behavior expression, not only contains the function of mutual communication and interaction, the more we provided a real lively social and cultural landscape, highlight is different from that of western culture extremely connotation of the Oriental cultural meaning and social function. In this study, the author tries to dongshan and ma on shan da music behavior present and contains in it the meaning of the music anthropological interpretation and analysis, and summarizes the highlight all aspects of folk culture of "cultural field" is discussed.The first chapter of this paper on WeiShan yi da occurred environment and memory were summarized and the narrative. Localized yi stockade of people here in the interaction of natural and social cultural environment has created da, and summarizes the background of the origin, development, formation and continuation of, seek WeiShan yi ethnic memory for society and the establishment of faith; The second chapter is to the ma on shan da and dongshan da scenes and the specific procedures of objective description, the original, of primitive simplicity of lasting appeal and artistic appeal, formed a complete meaning in body, sound system, so the structure of the third Zhang Yin from music behavior and occurrence, expression and characteristics of present both in the aspect of da by comparing and analyzing music behavior, due to the da’s life is closely linked with the locals, through the music behavior practice to record the daily life of the body, will cover the social order, folk beliefs and cognitive expression through a visual behavior and audible sound, become an important cultural symbol. So the last chapter is about the music da behavior for the interpretation of culture, and from the Angle of anthropology on the music culture as for deep draw.