"Sculpting In Time" From The Tower Image Poetics

Soviet director Andrei Tarkovsky, with his extraordinarily poetic images, wascalled "Holy Trinity" of modern art film together with Federico Fellini, IngmarBergman. He defined the director of the film as "Sculpting in Time" as a sculptor,"from large solid life events consisting of ’chunks of time’, the unwanted parts removed,discarded, leaving only constituent elements of the finished product, to ensure theintegrity of the image." He stressed movie as an image poetics, its essence is capturedand recycled time.In this thesis, Tarkovsky lens ideographic language and its mechanism for thetheoretical basis for image aesthetics, long lens-based experiments to explore videocreation, how in the pursuit of aesthetic value at the same time, how to overcome thelengthy video, heavy, monotonous boring, so the image has a high ornamental worksoverall vision. Combined with the actual creation and further expand the "tower "long lens captured images of the shooting in the early points. Secondly, the re-creation of the late, on how to grasp the long lens-based image structure, two areasfor further exploration in the image editing mode and rhythm.