A Study On Tarkovsky's Film Aesthetics Thoughts

Andrey Aerxieniyeweiqi Tarkovsky(1932-1986),It is one of the most outstanding film directors in Russia(former Soviet Union)after being hailed as Jiaisensitan.An artist who is recognized for his tenacious personality and his commitment to film art innovation to explore the expression of the human spiritual world.His film works and film theories display the brilliance of aesthetics,organically growing and self-contained on the vast land of Russia.In the classic "Sculpture Time","Record Time","Comparison Collection","Guide Art Handout",diary collection "Time in Time",and photo essay collection "Light in the World",Tarkovsky made a personal response to the film aesthetics such as film ontology,author's film theory,film poetic expression,and the exploration of commercial movies and art films in a sincere and pious tone.This article takes Tarkovsky aesthetic thoughts as the research object,from the systematic perspective of Tarkovsky film aesthetic thoughts,in the historical context and the current context,the theoretical analysis of Tarkovsky film aesthetic thoughts,and the systematic ZongjieTarkovsky film aesthetic views.Through the two main research methods of thematic research and image analysis,Tarkovsky theoretical sources are revealed,and Tarkovsky many expressions of images,many creations of poetry,many combinations of time,and many divergences of "author movies" are discussed.,In order to promote the theory and practice of Tarkovsky film aesthetic thought,the author makes a contribution to the research of film theory and film creation in our country.The thesis is divided into eight parts,including six chapters in the main text.The introduction first combs through Tarkovsky main film works and theoretical works,discusses the status quo of Russia,Europe,and the United States,and China's research on Tarkovsky and her aesthetic thoughts,and focuses on the research direction and content of Tarkovsky.It involves religious traditions,ideological criticism,similarities and differences with other schools,interdisciplinary research,ethnic colors,poetic styles,etc.,as well as national monographs and video materials compiled based on Tarkovski's film art.Secondly,the organizational context of this paper is clarified.Taking the origin of thought as a research clue,the contents of the study such as image,poetry,time,and author's film are derived.Finally,ZhimingTarkovsky aesthetic research significance to Chinese films.The first chapter traces the origin of Tarkovsky aesthetic thoughts.This chapter expounds the development of Tarkovsky film aesthetics from three aspects: his own religious beliefs,his external background,and his in-depth theoretical inheritance.In particular,Tarkovsky high concern for human life,with religious pity,hopes to reshape lost beliefs with religious rituals.Rationality looks at war,calls for emotion again,prevents people from being blinded by mechanical reason,and obeys the indifferent rational order.The second chapter analyzes the image art of Tarkovsky.Firstly,we define the definition of film image,then explain the technical possibility of image acquisition,and finally emphasize the "time" nature of video poetry.This chapter reproduces Tarkovsky amazing photography skills,his sensitivity and measurement of the height of the lens,and his basic qualities as a "screen poet."The third chapter discusses the form of Tarkovsky film poetics.This chapter explains in detail the difference between Tarkovsky and Soviet "poetic film",which leads to the tower "art-ideal meditation." "Classic overview.The poetry content is described in three external forms: poetic allegory,poetic narrative,and poetic music.Poetry is no longer the exclusive part of literature.The audience can also accurately receive the poetic information conveyed by Tarkovsky from the image screen.The fourth chapter investigates Tarkovsky time aesthetics.This chapter describes the exploration and solution of the tower style to the time ontology,and the decisive role of time on the film.The combination and presentation of time should obey the poetic reality,and Montage can be used as a means of time intervention in the film art,and should not be regarded as the film art itself.The details of the text,plot,and elements of the movie reflect the aesthetic connotation of time.The fifth chapter interprets Tarkovsk yauthor's film theory.Tarkovsky author's film theory was born out of the "Russian Film School" and the European and American author's film theory.It was formed in the film creation practice centered on the integration of directors.And with the help of scene scheduling and change,the interaction between the image and the audience is re-examined.The sixth chapter systematically expounds Tarkovsky thought value.This chapter locates Tarkovsky as an artist,and points out that film creation should pay attention to the expression of personal emotions,and also requires the satisfaction of popular aesthetic needs.And always pay attention to based on tradition,to achieve a balance between nationality and the world.Therefore,it provides a comparative experience for the Chinese film to go to the world and the dialogue world.The conclusion examines the context of Tarkovsky art.As a whole,GuanzhaoTarkovsky personal life and achievements are objectively analyzed and the excellence and limitations of tower style ideas are objectively analyzed.To sum up,according to Tarkovsky film aesthetics system,this article regards Tarkovsky film aesthetics as a unified whole based on religion,image as the medium,poetry as the form,time intervention as the means,and "author film" as the core.Tarkovsky subversion of the movie montage,his unique thinking on the concept of time,the weakening of the plot,the deliberate aggravation of philosophical speculation,and the re-determination of objective reality and life feelings,etc..Without exception,it reflects the refutation and subversion of the Hollywood film creation model,and provides new ideas and ideas for the rapid development of the world art film.Tarkovsky had only seven and a half works in his life,but he focused on life,analyzed human nature,and provided people with beautiful enjoyment with superb theoretical literacy and photography skills.In particular,the transfer of Russian culture with poetic film language has left an endless artistic space for later generations.Tarkovsky is a film artist who consciously practices his own theory in his film creation.He used his entire film life to vigorously promote the film art process and won unanimous praise in the history of world cinema.