On The Challenge Of Chinese Contemporary Drama Writer Creation Face

In general，As the drama art creators-drama screenwriter，has played a vital role for Bothhappen to the art of drama and drama art.With the development of drama and drama concept ofrheology, the writers also in different historical period, experiencing the different space and timeagain and again challenge,there are dramatic art this external challenges of its formation, there isalso a writer faced challenges created by themselves.First statement, mentioned in the article drama concept is mainly refers to the concept of"play" in its narrow sense,drama writers challenge to talk about is also represented by dramawriters writers face a common problem rather than the specific creation, so in the analysis of thehistorical changes and drama, in the process can involve other style of drama and drama theory,and its purpose is to better explain this article wants to solve common problems.This article mainly discusses the challenges faced by modern writers and their creations madesome of his own understanding and thinking, the external challenges faced by the writers, is in thefirst chapter and the second in the article, the first chapter "affect the historical evolution of thedevelopment of Chinese drama" mainly from theatre art law of development and the Angle ofrheological theory system, the "highlights" of drama stage,"theatre director center system andflow" and "stage name and real free" three ecological impact for Chinese modern drama as awhole are discussed from three aspects. The second chapter,"Chinese contemporary drama system,economic, cultural and ecological environment" is using sociological research methods and theabove three shift system construction of Chinese contemporary drama by the environment,economic environment and cultural environment analysis, especially for the drama do a deepresearch into the cultural environment. Writers create internal challenges facing or self challenge,mainly reflected in the third chapter of this article, based on "self in Chinese contemporary dramawriters" when trying to spy on the writers creation consciousness change and psychological state,of course, this kind of change and the state and the whole drama of the ecological environment isclosely linked.Throughout the full text, the occurrence of dramatic art and complete constitutes the characteristics of literature and stage coexist, and formed the system of the Oriental and occidentaldrama, in the specific historical time and space on the node, eastern and western drama system isable to blend with each other and influence each other, at the same time in the development ofdramatic art director centered drama are derived from the theory and the present stage, the stage inthe process of history so its position is highlighted to come out constantly, literariness or or thehumanities concern behind the literariness and humanistic consciousness gradually lost, especiallywith the drama of the contemporary China is relatively obvious, the mainstream consciousness, inthe tide of theatre and business, theatre or art of ontology in constant fluctuation, in order to breakthrough the wave symbol of the free air to breathe. So I started to began the study on this issue, thewave come from, where a wave? Drama writers how to realize drama, drama writers how toposition yourself?Look at the history and historical reasons, not blame, but to differentiate; Hope to reality,have practical reasons, admittedly, but can be clear; Hope to oneself, have their own reasons,cannot be ignored, but cognitive.