Planck's "Sonata For Two Pianos" Research

In the early20th century France, once headed by Debussy, Debussy impressionist music unify the whole country, but people after the first world war, the music have different feelings and needs. People no longer is only the colorful of impressionist music appreciation, but also want a more sober and realistic guileless music language.In the1920s by six young composer (Milhaud, Honegger,Ollec, Durey, Tailleferre, Poulenc) consisting of a "France six group" became one of the representative team of neoclassicism, because there is a common ideological basis, follow the "impressionism" of satie, six musicians together, make French music to a certain extent with the trend of the neoclassicism. They set off from the complexity of the polyphonic music to find concise language, clear and bright strange work reflects the art idea of unification, they opposed to impressionism, asked the French music on a path to lively, simple music.The Poulenc’s music style is the most close to the sadie’s style, also can best embody the six group set up in the first place. Although the existence of the six group time is short, but in this short time they changed the domination of impressionism music in France, for France to start out the pure and fresh, lively, new style of simplicity.Poulenc’s piano works not to blindly cult of classic, but the classical period, and even some of the earlier period composition techniques was carried out to create, to form its unique style. His works are mostly with impromptu sex, harmony and lively, texture clear, melody sounds beautiful."Two piano of sonata ", as he later work increasingly mature convergence of creation and music style, can be well reflected his music creation style. In this work can see his sometimes gentle and sometimes bold and unrestrained, the use of unique art of creation, the entire image vivid interpretation work, showed his deep emotion, late writing style of religion also get larger play in the work. In this paper, we use the traditional and modern composition techniques to analyze the work, briefly expounds the Poulenc in writing mode and tonality, harmony, melody form language, etc. Systematically analyzes, the author thinks that this work can be thoroughly study the Poulenc works of music and music style to provide certain reference basis, also want to view, based on the research of the Poulenc style to help you more comprehensive understanding of the new classical music and the music of the twentieth century.