Wang Chong's "vitality" And Its Influence On Chinese Classical Aesthetics

"Gas " as an important category of ancient Chinese philosophy had produced earlyin the Qin Dynasty, and evolved over time and show different meanings andmanifestations. In the Southern and Northern Dynasties, gas has become an importantaesthetic aspects of Chinese classical literary theory major impact. In this paper, HanWang Chong ’s "vitality theory" as the core, focuses on Wang " strength of" aestheticconnotation and significant impact on Chinese classical aesthetics. Paper is divided intofour parts: The first part traces the pre-Qin to Han Dynasty gas theory, through the"gas" sort of history of this category," vitality" of the philosophical connotation of thestudy; second part describes Wang " strength " theory main content. The third part ofthe aesthetic connotation reveal Wang " strength " theory; Wang Chong of " strength "as the basis, eliminating Lao Tzu "Tao" impact on air, advocate strength monism, the "air " concept again given a new philosophical connotation. Focuses on Vivid, love gas-kai, taking as perplexed with the " vitality" of relations with elaborate, they are relatedto the content of the aesthetic object, aesthetic and artistic aspects of the subject; PartIV is illustrated Wang " strength theory" of China influence of classical aestheticsimportant theory. Qiyun Chinese classical aesthetics that meteorology and imagery thatthey have aesthetic category as a very important role in the history of Chinese classicalaesthetics and theory of inheritance under the premise of continuous distillation WangChong strength theory, become a unique aesthetic theory.