The Aesthetic Sight On Exploration Of The "Tension" In The Wushu Routine Drill

This paper to learn and use the many disciplines of physics, aesthetics,Gestalt psychology, exercise physiology, human aesthetics and literarytheory theoretical results depth analysis of the tension in the Wushuexercises. Interdisciplinary field and the Arts and the cross-cuttingnature of this study, and has a great challenge. A blend of martial artsand other disciplines, interaction, not only the major issues to theforefront of the development of the Wushu academic, and hot future martialarts into the mainstream society. Article content and insights in manyways broke through the martial arts tradition of aesthetic thoughttheoretical framework, the source of beauty, the scope of the UnitedStates and the theoretical proposition; deepen people’s the connotationunderstanding Wushu beauty. The tension in the culture of martial artshistorical facts considerations, has combed the historical data, anddefined the new concept of tension and do a lot of solid research. Notonly the use of the research methods of the historian, but also to learnfrom other disciplines relevant theoretical research foundation. The useof multi-prism delve into the relationship between the Competitive Wushutechnological change their aesthetics. From Gestalt psychology visualaesthetics as the starting point to explore the aesthetic object andIntersubjectivity "aesthetic tension" in the martial arts drill formationand its interaction reflects the deep psychological roots in order toreveal the beauty of tension "generated.Studies have shown that the the Wushu tension including intrinsic(fine, gas, God) and external (rhythm, agility, posture) to express thethoughts and feelings. Performance of martial arts action tension isphysiological (body lines and breathing changes), physical (such astension, torsion, retractable, relaxation,etc.), psychological(ideation, charm, refined gas) mastery evolved. In order to emphasize the expressive power of these actions, the drills tend to make the actionexaggerated, torsion, tilt, and conscious control of their own actions,and acting freely extended in time and space according to a certain rhythm,displacement maneuvers, turning, moving in a static, static in creatingmotion so simple norms of action has beautify significance stylized actiondrills, and gradually formed a different scene specific aesthetic tension.So that the viewer multidimensional aesthetic experience obtained fromthe rotation of the body; aesthetic object (drills), drill material(action attitude, spirit, emotions) and create the mood of the threefinancial muddy integration together to create this wonderfully richaesthetic scenes of tension. Wushu routine tension generated, includingboth content and form. On the one hand is the inherent tension performance,such as mental tension, artistically tension, imagery tension; the otherhand, the performance of the external tension, such as the form of tension,rhythm tension structure tension; unity of the unification of the two isthe emotional and rational. Inherent tension (content) is a perfusionangry at the connotation and denotation of external tension (form), andlater by epitaxial form reaction connotation, showing the intrinsic charm,emotional and Wuhun of the essence of. The resulting: content determinesform, the form and reflect the content; relatively speaking, from Gestaltpsychology analysis, internal tension and external tension is alsoisomorphic relationship.