To Build The Culture Of The City Environment Coordinate Analysis-lianyungang Hailianlu Street Public Art Design

In today’s urban development, the emergence of public art form, is an increasingly important form of urban culture embodies, and occupies more and more important position, has become a symbol of city landmarks and cultural carrier. Landmark public art is the eyes and soul of a city, it is carrying the cultural dimensions and appearance of the city. When people pay more and more attention to urban public space, public art also became a city reflect the important form of culture, from the public landscape to urban construction, is the inner heart of urban citizens and visual position, let people to perceive his own position and site atmosphere, environment and can feel the city’s unique color and culture. In my memory, there is a city, including the United States in his years of work experience, after the end of the great impression of the city is the five elements, respectively is landmark nodes road border area. Landmarks are exist in the inner space, of course, let people from its external experience environment, symbolic landmarks are usually tall, and have strict directivity. When we get to understand and know a city, those who tend to have pieces of buildings or landmark significance naturally became the first thing we need to know about the object, the great buildings in on people’s visual and emotional culture will have a very strong preference, such as American twin tower, the imperial palace in China Great Wall, etc. The public art is not only manifests itself is the value of, more is to reflect the country urban construction idea, demands of public life culture, reflect the features and city image, is also a city character color, and so on. Finally slowly become the symbol of the city. Into the face of the city.From these public art involved in field of view of cultural value of the far greater than the value of itself is created, for a more thorough understanding of public art, we need dialectical its historical development, from the perspectives of political and religious culture economic factors to the development of the fine arts to see these can represent era the artistic achievements of civilization. From these we think didn’t have anything to do with art, to judge him, we will be surprised to find that these unknown factors are the ultimate arbiter of the development of civilization, in our culture today, the art market is very chaotic, we as artists, we shall have to bear the responsibility, to protect and correct our own art and culture, state of market order, let us not correct from a lot of clutter things found in our own good things, a public space of the era of construction is totally need to embody the spirit of the age, and now many in the construction process has no real inspects study found that these we need to keep the inheritance of culture, through this article we have to find the right solution and guide our future work of art to the road, right to parse the public art and the current economic and political associations, such as culture and perfect the construction of the system, to win in the future development of its own cultural status. Throughout the full text to study we can see that the development of public art with the highest participation should be public, but the decision-making power lies in the superstructure, but how much we are all in view of the rights of between the superstructure and the grass-roots and the contradiction of the cultural differences, so, the development of art also art is not in the service of the individual, but in the service of this era, so future interests balance of culture is the mark of the maturity of the public art.