The Study On Character Personality And Modeling Design Of Miyazaki Hayao’s Animation

As Miyazaki Hayao won the world-wide recognition and praise for the animated artistic works, he is honored as the "national treasure","poet of animation","god of animation" and "national film writer". His works are themed by the traditional history and art of Japan, which are profound and thoughtful. Miyazaki Hayao constructs the great artist ideal with the themes of the aversion of war, the expectation on nature, the special care for women, his own experience of childhood, and the mysterious fairy tale.From the work, we can know that the successful shaped character plays an important role on his prominent position. Animated characters in the of his works decipts the delicate palace, rich personality and unique style. Each role has been given a fresh soul, vivid and colorful, real appeal. Work of Miyazaki Hayao hero for girls, they are beautiful and kind-hearted, with romance, elegance and adventure, courage, purity of heart and the growth of mood, or a strong and brave, or mundane, but it can release the life unlimited potential of all people feel warm and moved. Hero for a supporting role, but without losing the personality, or has a warrior’s courage and tenacity, or have a little naughty naughty and lively. The negative character can not be missing a supporting role in the works of Miyazaki, has a unique moral nature of "human nature". Hayao Miyazaki animation, character modeling and character have many similarities, regardless of the consensus on the creation of the subject or creative approach, seems to have formed some kind of conventional law. It is precisely because this model, the idea of making Hayao Miyazaki in every piece of natural continuation of the down, the overall style of most of its work.The thesis specifically analyzes the character shape and design style of Miyazaki Hayao’s animation. In order to know the advantages of foreign animation and create the popular Chinese animated image, this thesis mainly analyzes the essential characteristics and the cultural connotation of Miyazaki Hayao’s animation. Chinese animation is in a struggling position resulting from some error or misunderstanding for the design ideal, which. What we can do is studying Miyazaki Hayao’s animation carefully and learning his strong points and offsetting our deficiencies, so that we can create a new style of Chinese animation.