| From the beginning of the century began has Chinesescience fiction fromthe last century began to date, itsaesthetic characteristics although changedseveral times, but each time the golden era characteristics have in common.The first golden period is the beginning of its birth, was affected by thecontext and the practice of modernity, the aesthetic features were branded withthe"salvation","Enlightenment" and "pragmatic" aesthetics.The second goldenperiod is the beginning of reform and opening up, the aesthetic characteristicsof "freedom" and"Enlightenment" color. The third golden period is the90years since the last century, the aesthetic features tend to be rich and varied,but the mainstream of the classic works still show "salvation","Enlightenment" and"practical" and other aesthetic elements, and of coursethe"salvation" unnecessary "salvation", the "save thedead" is the salvation ofnatural disasters, human crisis,and even the end of the science fiction overheadin the context of civilization."Enlightenment" is to think about the future ofthe universe Illuminati time. Following the trail of"salvation","Enlightenment", the aesthetic features ofreflection China science fictiondevelopment history,source and value ideas to expand the study ofcontemporary China science fiction neo classical stylegradually, specifically tothe works of Liu Cixin as a sample, the embodiment and characteristics of thetraditional neo classical style of aesthetics.The development Chinese Science Fiction Studies in the first part of thearticle.Analysis of aesthetic traditional roots of second parts of researchChinesescience fiction. The first two parts while only half of the space, but isthe main part of this paper, the main conclusions derived from this. In the thirdpart, Liu Cixin’s works as the research object, analysis Chinese new classical aestheticscharacteristic of tradition is embodied. The last part is the conclusiontosummarize Chinese science fiction future brilliant road experience. |
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