Deep Thinking About The History And Multi-dimensional Perspective Of The Culture

In the1990s, cultural and historical prose has emerged as an importpractice of contemporary Chinese literature and gradually developed into arelatively mature prose art category. Cultural and historical prose, with itsheavy history, profound cultural philosophical connotation, has so far createda new realm for prose writing. Cultural and historical prose of some youngand middle-aged writers, represented by Zeng Jixin, have become thebackbone of this field. Zeng Jixin’s culture and historical proses give a fullplay to its own artistic personality, and bear the spirit and the aestheticimplication of Chinese traditional history and culture. With its unique artisticstyle and aesthetic characteristics,it has promoted the development andprosperity of contemporary culture and history prose.This article attempts to unearth the current reality significance and valuethrough research on the thought connotation, culture characteristics of culturaland historical prose and further broaden ways and angles to appreciate proseand give readers more space for thinking and understanding.The full context is about forty-six thousand words. Besides the preface andepilogue,body of the essay is divided into three chapters.The introduction part is a brief introduction of Zeng Jixin and his articles,including a simple review of the formation and development of the culturaland historical prose, leading to the topic of this essay-Zeng Jixin culturalhistory prose theory.The first chapter explores the the value orientation and historical proserespectively from the retrospect and reflection an history, the rational spirit and a strong sense of main body.The second chapter tries to further explore the culture features of hiscultural and historical prose from study of the multidimensional perspectiveof Zeng Jixin’s creation of cultural and historical prose. There are threesections in this chapter, illustrating the characteristics of cultural andhistorical prose respectively from the diversity of spiritual home, reflectionswhile traveling, and rich and profound cultural connotation.The third chapter, on the basis of the above two chapters, discusses theartistic characteristics and inherent character of Zeng Jixin’s cultural andhistorical prose.The discussion is mainly about the writing style, the aesthetics of stylisticconsciousness and creativeness of literary language, and further analyzes andsummarizes his innovation of form, structure’ writing techniques, etc.The Epilogue part affirms the unique artistic charm of Zeng Jixin’s culturaland historical prose, points out its contribution to the literature, and alsopoints out the shortages of Zeng Jixin’s cultural and historical prose whichmay exist.