Guizhou Folk Painting And Shanghai Folk Painting Comparative Study

“Modern folk painting,” Cao Zhenfeng1985formally firstput forward, in the late1980s began to be widely accepted.This article was about guizhou and Shanghai modern folkpainting.To compare the differences between the twoplaces,from the historical origin, cultural background, thetheme content and form style and so on.On the comparison of subject matter and content, both folkpaintings are from the local folk and their lifeexperience.What’s the difference between the two place is theThe specific content, In the Shanghai area of the folk paintingsof the han nationality community life atmosphere heavier, butguizhou region of agrestic breath more thick, strong ethnicstyle.In the comparison of form styles, give priority with workanalysis, from the aspect of color, shape, composition revealsthe similarities and differences on both in the picture style.Similarly, both folk paintings are like to use high purity colorpicture resounding effect, the use of bold contrasting colors,bright colors, contrast;on modelling are keeping things theoriginal features in general,make bold trade-offs,exaggeration,with line modelling,adornmentflavour.Composition on both folk paintings is in the form ofplane composition, the joining together of a variety ofperspectives.The difference is the decoration exaggeration ofguizhou region in addition to hope for a better life may beassociated with witchcraft psychological,but Shanghai regioncomposition of folk paintings pursue full connection with theanticipation that the ideal life.By comparing both modern folk painting, part shows thetypical features of folk art in Shanghai and guizhou.