| The Fly Apsaras are not only a sign of Dunhuang grotto art but they are also the national arttreasures. Dunhuang grottoes preserved from (sixteen countries) in the4th century to the14thcentury (Yuan dynasty), almost over thousands of years. The Flying it originated in the Buddhistart, but also transcends the Buddhist art. Contrasting it with static solemn Buddha, action makesthe serious of mechanical structure with original caves easing, getting to reconcile and to balancethe vision, so that to make the cave full of vitality. Sui and Tang dynasties are the highdevelopment period of Fly Apsaras.Based on the study of dance spirit in Tang flying murals, to explore the value and influenceof Tang dance spirit in Chinese culture, we can understand the nature of the Chinese culture, andunderstand the Buddhism culture through the baptism of the Han culture, again to create a deeper,richer connotation of music, painting, dancing, which are relate to each other, and action to eachother.Tang weather gives birth to the great music, dance, painting, calligraphy, Buddhist art, etc.All of them have very big development. Painting makes flying image wonderful, dance lets theflying body type more accurate, more outstanding and graceful, and in the same time flying startdancing on the endless romantic reverie, boosting the dance with flying beauty and gentle melody.Among the music and dance of Tang dynasty,"Ni Shang Yu Yi" have been prominent for thecause of their popularity and influence. It results unlimited inspiration from the Fly Apsaras.Giving vent to the people’s yearning for the fairy world of The Times, to take the sailing cloudsand fogs of artistic feeling."Ni Shang Yu Yi" is full of the spirit of The Times. She was bom inthe glorious age of Tang poetry art of romanticism. It is not difficult to pursue the birth of it andget feather fairy religious roots so as to explore the elegant demeanour. |
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