The Cultural Implication Of "Yuheba" In Luo Zhongrong Piano Piece "Toccata"

Luo Zhongrong three piano (op.50), one of the "Toccata", With the help the Pentatonic twelve-tone sequence, and Hauer’s trope, the "yuheba" traditional music culture was reborn in the music."yuheba" modern music and cultural significance, mainly in the "Toccata" and "yuheba" such division and reorganization of the traditional musical culture, overt and stealth to complete.This dissertation includes three parts:introduction, is the theory and conclusions. Is On the part can be divided into three aspects:First, the traditional cultural horizons "yuheba" cultural implication. Include: Chapter1"yuheba" principle.Second, modern composition techniques in yuheba cultural. Include:"the introduction of yuheba technology-" Toccata "creative background, and the third chapter, yuheba use of the principles-"Toccata" technical analysis.Third, the yuheba modern cultural implication. Include:Chapter IV,"yuheba" modern generation of cultural significance-"Toccata" culture.The first chapter on yuheba traceability of yuheba traditional music culture connotation. Yuheba traditional culture is epitomized by a generalized co-eight" thinking and aesthetic tendencies. This "co-thinking and aesthetic tendencies can be understood mainly from four aspects of the structure of melody, rhythm, color, material.Chapters Ⅱ and Ⅲ, on the basis of overall technical analysis of the three piano, focusing on the "Toccata" Pentatonic12-tone technique, especially in yuheba use of the principles and culture division and reorganization of the elements, became visible and invisible, a detailed analysis of the technical point of view from the composer. On this basis, the fourth chapter focuses on the formation of yuheba modern music and cultural significance."Toccata" and "yuheba" modern music and cultural significance, is an ancient and modern care among the Chinese and Western fusion,"two-color","co-eight" as the carrier along the overt and stealth two path generation.