Research In China In Twentieth Century Thirty Or Forty’s Illustration Art

Early in twentieth Century Chinese domestic trouble and foreign invasion, the societyturbulent. In the dark rule of the warlords, and foreign powers look at fiercely as a tigerdoes. To the30’s, the Northeast occupied, Shanghai incident, the Japanese occupied Jeholand invasion in China, large tracts of land were trampled underfoot, thousands of fellowforced exile everywhere. After the outbreak of Anti Japanese war in1937, the war alsobrought untold sufferings to the people of Chinese. However, the peril is pregnant withhope, since five four of new culture movement, new trends continue to surge, bring forththe new through the old science and technology, especially the illustration art since thirtyor forty, more like a dark China opens a bright window. The thirty or forty’s of thetwentieth Century is the beginning of China’s modern illustration art. With the new culturemovement, new woodcut movement and the progress of science and technology bring newideas, new concepts, new forms, the illustration art also in theme, form, the form oflanguage has a hitherto unknown change. Realism is the creation of this period in tone,theme, illustrations to describe the bottom of society people suffering and war, to thepositive effect to the Anti Japanese propaganda, encouraging people. In the form and theform language, will scatter the focus of Western painting perspective, dark tone,resembling realistic and painting perspective, meticulous, freehand brushwork drawingcombination, created the best illustration of a large number of oil paintings, watercolor,sketch, drawing, painting and other forms, both national decorating implication rich thesense of the times they lack. It is like a mirror of the times, reflecting the social lifeaspects, but also embodies the people’s spirit, ideals, reflects the material life and culturalpeople.