Analysis Of Piazzolla’s Concerto For Bandoneon

“Kua jie yin yue” translated from the English “Crossover”,which form is almostcombination of classical and popular,and has a history about half a century.Both theclassic elements and the sound of popular can be heard from “Crossover”,such asclassical and jazz,tango and other music characterized by the integration of worldregions folk music genre.Referring to “Crossover”,a person must be mentioned,whocreative blend tranditional composition with his country’s specific type ofmusic--Tango,and upgrade tango music from popular songs and dance music to showon the stage with a high degree of artistic pure music form,and thereby create “NewTango”. The person is known as “Father of New Tango” of Argentina composer ástorPantaleón·Piazzolla.This style of music created by Piazzolla has both a uniqueexotic and serious of classical music,which maximize the tango music style.The topic research "Bandoneon Concerto" composed by Piazzolla, analyzing stylecharacteristics、modal tonality、harmony polyphony technique、rhythm characteristicsand the use of the main musical instrument.In an attempt to further dissect inherentcharacteristics, creating meaning and humanistic ideas.Because of Piazzolla’s profound impact on the world of music and oustandingcontribution,research of Piazzolla music style can be said to be very extensive both indomestic and foreign,and many of them are excellent treatise.There are somechallenges and difficulties in this work studies,such as its humanistic ideas--how theauthor combine local folk music and traditional compositional techniquesperfectly,barriers exist in China and South American music culture and so on.In thispaper,the author hopes that by analyzing the characteristics andsignificance,theoretical and practical creation can be improved,and also hopes to bringthe folk music to the world from the music of Piazzolla.