Comedy Creation During The Period Of Anti Japanese War

Development of Chinese modern comedy aspect greatly affected foreign comedy, on the other hand, from the impact of traditional culture, the essence ofharmony, the active exploration of nationalization of modern comedy.1937-1949during times of war, is a modern comedy mature period, this period comedy writer consciously modern spirit in a creative comedy show a broad picture of national life, not only shows the state of the world customs of society, but also reflects the social, political, historical and cultural reflection and criticism. Such reflection and criticism make modern comedy in this particular context during the war, but also shows a heavy sense of history, as well as significant in the history of modern Chinese drama’s.The first chapter is the type and the tendency of wartime comedy. Divided into modern comedy and modern satirical comedy creation tendency in two parts. From the early stage of development, a moderate, tolerant, sympathy for the modern aesthetic style comedy show, reflects the view of human nature. Later, humorous comedy experienced the development stage of machine intelligence, in the thirty’s, humorous comedy consciously breaks through the limitation of machine intelligence, pay more attention to the reality, reflects the developing tendency of the world, the depiction of human nature and character of the rich deep mining. Modern Satirical Comedy is political in the most prominent feature of wartime, multiple social contradiction and the national crisis, the satirical comedy the cultural and political work closely together, achieve double critique of culture and politics, has a strong practical significance.The second chapter is the modern spirit of wartime comedy, embodied in two aspects, one is anti feudal culture standpoint, anti feudal historical character the first modern comedy, embodied in the art of father, police and officials of the tyranny of profane and attention to the transformation of national character; another is the thorn, and democratic consciousness, democratic consciousness raise. The third chapter is to nationalize the wartime comedy, mainly reflected in three aspects. One is a comprehensive display of wartime national life, including the ways of the world, comedy of stereoscopic display and satirical comedy the attention to the social politics; two is the modern transformation of the traditional Chinese comic art. Pay attention to the reality, criticism, reconstruction of reality becomes a key part of this conversion process. At the same time, the wartime comedy expand the emotional connotation China tradition comedy, the joy and sorrow and formed a symbiotic relationship, become an indispensable part of ontology of comedy. The three is the inheritance and development of traditional comic art. A modern comedy nationalization is mainly reflected in the traditional opera reference, including lyric and freehand two aspects.