The Romantic Temperament In Rational Playing Of Sonata In D Major (Pastorale) Op.28

Ludwig van Beethoven,was a representative of Vienna classical music school of German music, also is one of the most important music history turning figure. On the one hand, he set the classicism of the great, especially his symphony and Sonata, classical style to the extreme; and on the other hand, Beethoven is the first music in the history of his subjective feelings into music composer. Therefore, he is considered by initiated romanticism in music.As the research object of this paper,the Sonata in D major Op.15is such a work. From the musical form, the sonata with unified subject material, still using conventional classical sonata form and relatively conservative composing techniques, is a piece of hundred-percent classical sonata. And the music content expressed from the works of view, Beethoven in the sonata, into a component of subjective emotion, make this work with distinctive romantic temperament. This article from the actual performance point of view, based on the romantic temperament played in a rational understanding of the unique perspective, combined with experience of playing, will this work to conduct a comprehensive and dialectical analysis, in order to provide practical guidance meaning accurately and performing interpretation this works for the performer playing.