The Studies Of Aesthetic Characteristics And Modern Situation In Urban Ink Painting

Urban ink painting which arises at the historic moment faced with many challenges and problems in the process of nearly10years of development in the1990s. If the modernity becomes the only idea which the ink painters follow in nowadays, urban ink painters will be bound to set artistic vision to life under the influence of social and cultural context. Then will spread the expression of painting’s artistic conception to the externalization of life experience. The characteristics such as aesthetic sense of existentialism and realism will gradually emerge in the urban ink painting. With the continuous development of era, the specific historical condition makes a big shock to ink painting. Urban ink painting is the product of a certain situation. If the aesthetic function of artistic work can change under the action of situational attributes, grasping the aesthetic characteristics of urban ink painting from the angle of modern situation will be the key of this topic research.This topic includes six parts of introduction, the body of four chapters and conclusion.This topic is mainly based on the chinese and western aesthetics theory which can impact the urban ink painting aesthetic characteristics. From the background and the development of urban ink painting, it discusses several aspects combining modern situational factors on the relationship between artists, art works and the connotation of works or the relationship between people, things and boundary. In order to make the modern situation more clearly, this topic strengthens its connection of aesthetic implication by comparing the relationship of the situation and artistic conception, and the expression of urban ink painting. In the process of cognitiving urban ink painting modern situation, it makes readers get beautiful balance of conflict between rationality and sensibility, subject and object.This topic is analyzed on urban ink painting works, it seizes the situational factors which impact on city people’s psychological and build discussion on art aesthetic topic of ink painting works. The spiritual metaphor of the city cultural image is interpreted in works of Li Xiaoxuan, Zou Jianping and Shao Ge. To some extent, experimental ink painting language inject vitality to urban ink painting, it makes original real ecological observation rise to philosophical speculations of existentialism. Whether it is painting aesthetics or urban aesthetics, chinese aesthetics or western aesthetics, it is not out of the aesthetic level of purification and beyond. Artistic ideological trends of fusion in china and west can purify language of urbanization to beauty of breaking traditional paintings, which create a situation for us based on city "content", introspecting in natural and social anxiety. It has a positive practical significance for us to understand deeply of the modern and contemporary urban ink painting connotation and problems in aesthetic reflection.