Writing Urban Modernity With Light And Shadow

Modernity is originated in the west, the connotation of a complex concept, with the accelerated process of economic globalization, "Modernity" has become a large number of research analysis of the important theory of history and culture in modern times in China starting point. Specific to the field of film, whether modern consciousness becomes a important sign of modern film.This paper to Zhang Yibai film is modeled, tries to reveal the Zhang Yibai director has been throughout the film in the relatively stable structural, to city and analysis of Zhang Yibai film characters and emotional expression, explore Zhang Yibai film people, the relationship between people and the city and analysis piece of white city featured in the film. Zhang Yibai’s film showing concern for the urban, and the alienation of the urban development process in the people, in-depth City People’s spiritual world. The urban love stories reflects its mental state of urban ethnic understanding, showing the current urban modernity paradox from the side.This paper attempts from the angle of start: is through interpretation to Zhang Yibai film texts to explore Zhang Yibai how in the film through the emotion and the city imagination to construct a picture of his city; second, discussing the shaping of Zhang Yibai film characters, through the city in different sectors of the population state to express the theme; three is the study of the unique narrative structure and image style. Through the study of these three aspects, try to tease out Zhang Yibai director films a consistent theme and his consistent style, combined with the audio-visual language of specific works explore Zhang Yibai film art connotation and reference significance to the present movie creation and urban development of.