Based on the musical and Scio-culture analysis of Gustav Mahler’s song cycle Lieder eines fahrenden Gesellen, or Songs of a Wayfarer, and exploring its interpretation by generations of singers, the writer tries to give us a brief summary in music and performance. According to the particularities and requirements of the subject of Singing Art, the paper combines the detailed music analysis and lively performance practice by the writer himself, and puts forward some suggestion that can be used for reference by musicians and music teachers. |