Study On The Composition Techniques In Tcherepnin’s Sinicism

Alexander Tcherepnin is one of the famous composer in exile artists in the "first wave". He hostied a composition competition ask for piano music with sinicism in the National Conservatory of Music while his first visting in Shanghai1934. The term "SINICISM" refers to the music creation in a style of highlighting the Chinese traditional music culture was raised clearly in order to distinguish the western music characteristics. This paper, the introduction by presenting Tcherepnin’s life and culture background of the comb, and combined with the experience of music in China, analysis and reflect on the "SINICISM".On this basis, this paper take Tcherepnins’s "five concert etudes","seven Chinese folk song" two "Chinese style" works as an example, from the perspective of composing technique theory, in-depth analysis of the specific composing techniques, and their ways and methods of sinicism music creation. The first chapter is on the pitch mode of" sinicism ". Tcherepnin in refining or transplant the folk music material as a result, the main present two different forms:one is through tonal (pitch) frequently moving to complete the work of the whole structure of tension; The other is based on texture and variation works to build the whole form. Works on harmony idea and the concrete practice, mainly based on "the improvement of functional harmony system","harmony" and "light" and "thick texture on collocation" two ways to obtain a "Chinese style" sound of harmony. The second chapter the paper, to that of rhythm and tempo, Chinese characteristics were classified and discussed. Work characteristics of the pace of the whole rhythm of "freedom","rhythm" series,"beat rhythm" and "mixed beat" four kinds of forms. The third chapter, sound form of sound processing technique and made an objective analysis, and makes a deep thinking on the sound concept. Creation simulates some ethnic Musical Instruments in the timbre features, pipa and some of the features on the guqin reasonable method into the piano. On this basis, through some Oriental philosophy extends a sound idea, and then present a viable on macro stereo shape, internal Chinese temperament. The fourth chapter, the structure of music and make a summary of the buckling form as a whole and judgment. Works in macro form form, and there was some difference of western classic form paradigm, its musical form more presents the characteristics of a comprehensive and free. The paper finally lead as a "form" of composing technique and the traditional culture of "metaphysics" concept level, alignment, the product of dialectical thinking and objective evaluation of music creation.