Comparison Of Chinese With South Korean Modern Figurative Sculpture

Luo Dan in the sculpture first injected with "modern consciousness" in the language of sculpture. Break the traditional sculpture with a specific image for the performance of objective methods, from passive to active, from space to space of creation, and eventually established his own sculpture language, theory is marked the beginning of modern western sculpture. Influenced by the western modern art, contemporary sculpture in Han, also changed turn the world upside down change. A new things from generation to be accepted by the public and the national complex together to produce a new art form is necessarily requires a long and painful, but I think this process is consistent with the la ws of nature. In the process of development, we are aware of the modern, in the face of our own spiritual needs, expression of ideas, must have its culture specific, personal style and language symbol. But the formation and development of any art with his historical background inseparable, found in a study of Korean and Chinese have had a close relationship, because they use the same words, and mutual nearest neighbor. However, obviously, although the two countries have frequent cultural exchanges, but they are created according to their historical and geographical environments and the establishment of the different forms of sculpture culture. China has been exploring sculpture realism trend, but South Korea tend to prefer modernism and Postmodernism in the capitalist cultural school, this school by Western Europe or the America artistic style influence and change.So, the Han, in contemporary figurative sculpture has combed the development situation, comparison, analysis, there are some thoughts on future development, but also for me in the future works to provide a strong theoretical basis. Also hope that the continuous exchange between Han, further promote the common, maintain and with Asian values but their remaining sculpture culture.