Researching And Practicing On Performance Language Of Chinese Contemporary Complex Painting

Contemporary Chinese Art has been enduring a prosperous period of fast development, big crossover and great convergence ever since1980s. Comprehensive Painting Art has always been developed fast since it has been invented. Starting with tracing the origin of the Chinese Comprehensive Painting Art, the dissertation discusses about the differences between Comprehensive Painting Art and Traditional Art by the analysis of the research status at home and abroad and the study on media materials and schema. It also analyses the rich painting language on the basis of creations by the cotemporary Chinese classical artists working in the field of Comprehensive Painting Art. Meanwhile, the dissertation puts forward new ideas about the evaluation of Comprehensive Painting Art specific to its aesthetic features.The directly analysis of the painting language of Comprehensive Painting Art is adopted through the form of "picture talk" in the dissertation.The creation and practice are made through the guidance of the rich results of Chinese Contemporary Comprehensive Painting Art during practice. Analysis from the aspect of aesthetic features is made on the comprehensive painting language where different kinds of pictures are expressed by one medium. The aesthetic features of modern expressionism oil paintings are expressed by printmaking works; on the other hand, the aesthetic features of modern printmaking works are expressed by oil paintings. Thus, a new way of expressive language for comprehensive painting will be achieved.Periodic results have been achieved during the practice accompanied with many problems which are supposed to be solved during the follow-up research.