Comparative Study On Brushwork And Composition Of Qi Baishi’s And Pan Tianshou’s Flower-and-bird Painting

Painting on Chinese painting, Qi Baishi and Tianshou the twentieth century’s most influential artists of the two, they are the modern Chinese painting of traditional Chinese painting successor, but also innovators of modern Chinese painting, painting a direct impact on their Today the Chinese contemporary painting. After they learn from the traditional Chinese ink painting techniques and tricks to create a layout of their own artistic style.Qi Baishi and Tianshou same can be said in a era, they have gone through three dynasties-from the late Qing Dynasty to the Republic and then to the founding of New China. China is changing from one period to another social community, but also people ideological shift period, so old and new, traditional and modern, East and West perhaps,, we can glimpse the society of the Chinese painting changes caused by changes that impact on contemporary Chinese bird and flower painting from them.On the artistic style, although two of them are deeply traditional Chinese "literati painting" under the influence, are eight, ivy, Shi Tao faithful worshipers, but they demonstrated painting style is different. Qi Baishi and Pan Tianshou, a plain naive, term nature, a Peculiar forceful, risk seeking level. Generally speaking, the artist’s personal style of art with his own personality, life experiences, aesthetic tendencies has a direct and close relationship between the painter and through their painting language on the screen to show their artistic style, and Chinese painting painting language has its own unique form of expression, that is a pen, ink, composition (composition), and color. In the language of the constituent elements of painting Chinese painting, unlike in Western painting surface modeling, Chinese painting is the shape, lines are Chinese paintings constitute the core element, whether it is flowers, birds, landscapes, or figures, but the line is always accompanied by and the formation of the artist’s pen, which is the Sheikh "Six", the highest requirements in addition to paintings of "Lively" after next is "Bone pen." And in the "operating position" tricks layout patterned arrangements in the late Qing Dynasty as "Western Learning", a number of Western painting and design concept is also beginning to affect the composition and change the composition of traditional Chinese painting, especially Western design consisting of philosophy.Therefore, to understand an artist’s artistic features and artistic style, we must proceed from their own personality, life experiences, and their aesthetic painting language to understand, but the language is expressed through painting manifestation of the screen, to understand Qi Baishi and Tianshou paintings to study their language shall draw on the screen forms.This article will Tianshou Qi Baishi and life experiences, pen, composition (Composition) three main aspects to compare their specific painting style.Paintings such as character, the first chapter will briefly Tianshou Qi and life experience, to form their final painting style and paintings from their experiences to form their character’s point of view. Chinese calligraphy paintings are ancient origin, the second chapter in the book from the perspective of a painting to compare the two of them formed a painting pen.In ancient paintings on the tricks of the composition in is called "always painting," the third chapter compares Qi Baishi painting composition and Pan Tianshou.Finally concluded, in painting, they are developed from the basis of traditional Chinese painting, obsessed with ivy, eight, Shi Tao ink fun, but their artistic style is very different, but also draws a forceful, a Pingzheng natural, perhaps with their personality and childhood experiences about. Painting pen, Tianshou to official script and art, vigorous concise, Qi Baishi to seal pen art, straight and rigid.Although their artistic style, different painting techniques, but their artistic integrity is the same, with their own strong sense of national culture, beautiful rivers and mountains of the motherland’s love and respect for the motherland’s traditional culture, traces the division of the ancients, the heart of the ancients and teacher, teacher of ancient and opened today, the ancients of the law into his own use.The so-called paintings such as character,"character is not high, the ink can not fall", because Qi and Tianshou all have such lofty character, no matter how their painting style, their paintings will eventually be high. Their paintings seem to pursue different routes, in fact they are pursuing is Tonggui the artistic realm.