Study On The Aesthetic Ideology Of Guan Hu’s Movie

Guan Hu,certainly is one of the best Chinese directors of the younggeneration.He is the model of the Generation Six and his movie style drawing muchattention and wom many prizes at home and abroad since his first flim---“Messyhair”(1992).He began to show his talents on directing since his very first movie cameout,inclding his narrative style and multidimensional imaging idea.If we compare hisfilms with other’s.We can see that it is precisely in the particularity that universityresides.he assert its universal while he could think out of the box in a subtle way aswell.After years and years of accumulation and practice,more and more rapidly hisknowledge and skill increases,and formed his aesthetic taste and narrative strategy.Byrepresenting the minorities,his movies filled with various of elements like humanisticcare and simple life experiences.To dissect its aesthetic value and philosophicalreflection behind the camera by analyzing the style and range of his films,and itsaesthetic characteristic of the imagery. This paper will also be in the narrativebackground of Chinese sixth generation filmmaker, explore Guan Hu and Chinarelationship between universality and particularity of the "sixth generation" directors,and try to creative thinking of the "sixth generation" directors bring certain referencesignificance.Guan Hu is a part of the Generation Six but he isn’t limited to it, so this paper tryto make a special research of Guan Hu and explore the commonness and difference ofthe Generation Six,and hope to provide some valuable significance for them.The first part is Personal Theme.This part analyses the theme of Guan Hu’s flimsand sum up his style of thme from three levels: the implicative youth the personal valuein historical situation and implicative rebel. The second part is Personality Insist innarrative mode and aesthetic artistic style.This part use the Philosophy theory toanalyse Guan Hu’s films and sum up characteristics of narrative style and image style,then explain the nonlinear narrative method in movie-creating of Guan Hu. In last, thispart focuses on analyzing " Eyes of a Beauty " and take a furtive glance of Guan Hu’s personal humanistic care. The third part is Reason of Guan Hu’s movie style.This partanalyses the Life situation, Society and the wave of Generation Six, then put forwardsome valuable suggests for Generation Six.