Study On Film Director Art Of Julehe

Inner Mongolian film studio screenwriter, director Julehe since the1980s, created more than Mongolian theme films-"Desert Lion","Suo MiYa’s Choice","Genghis Khan’s Water Post ","The blue Xanadu","Nima’sWomen"," De Jide "and so on. More mature works express the ideologicalcontent and personal style, for the development of Mongolian Films explorea new way.Julehe creative activity has attracted more and more attention to domesticscholars, but for theoretical research director system is still relativelysluggish, and very few specialized research literature its film culture andaesthetic characteristics. Therefore, this article from the perspective of filmaesthetics, for films Julehe analysis and interpretation system.This paper discusses the three-pronged approach. First, an overview ofthe director since the1980s has been the creative process; Secondly, theanalysis of cultural connotations behind the director’s work I combine videomovie art theory, the next statement of the importance of historical perspective Julehe movies. Finally, summarize Julehe movie image style andexpression characteristics highlighted and poetic documentary director inthe creative process of continuous growth and development of both theevolving aesthetic style.Julehe lens toward the common but unremarkable Mongolian herdsman,in a responsible manner and calm impartial perspective, concerns the lifeand soul of the world herdsmen. Directed by works of Mongolian culturalessence be praise and praise, for the fall of the process of modernization ofMongolian culture in space and feel helpless and sad, and trying to find thecause of the fall and methods to solve, all of which reveals a kind of nationalself-examination perspective, the film director in his answer to "What is thenational culture" and "cultural difficulties faced prairie" these two issues.His whole movie showing "both documentary and poetic" writing style,both showed strong documentary aesthetic features, but also allows theaudience to experience the infinite beauty of poetic aesthetics, although insome areas the expression is not enough skilled, but the genre to explorethemes and shooting style, with a certain sense a pioneer for thedevelopment of road widening Mongolian themes of the film made no smallcontribution.