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"Women Writing" From The Perspective Of Men

Posted on:2015-04-21Degree:MasterType:Thesis
Country:ChinaCandidate:L M ZhangFull Text:PDF
GTID:2285330431978476Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
In "Blank Pages "and the Issues of Female Creativity, Susan Gubar pointed out that, female, as the"other", is a writer of ideology "sculpture" actually in the male writers, but failed to become a practicing theideology of "sculptor". She said,"In the history of man, woman is always the absolute ’other’(the other)".However, we also have good reason to believe that, a male writer insight, for women, and imagine theshape description is also play a decisive role significance, because it makes up for the female writers "justbecause in the mountains" and the emergence of the blind. The purpose of this thesis is on the study of YeZhaoyan, through combing the entire creative process, outlines its works show the unique world of women;the vertical and horizontal comparison research to sex, highlight the value and significance of the creationof "female" writing—undoubtedly this will have important reference significance, on explore the malewriters’s female consciousness, at the same time, this unique female writing of Ye Zhaoyan is also a uniquevalue in the Chinese in Contemporary Literature。This thesis start from Ye Zhaoyan’s novel "female" writing, carding portrays Ye Zhaoyan the femalecharacters, try to draw the outline of female characters in the novels of the lineage; Love and death are twothemes of “female writing” in his novel--Reading and analysis, and discusses the characteristics of YeZhaoyan’s Novels "female" writing, mainly from the aspect of theory of Ye Zhaoyan’s understanding ofwomen’s criticism, from the perspective of the men "female" writing, found the remains in the narrativeperspective of male chauvinism, but in its creation conveys latent consciousness of women (i.e. salvationconsciousness, female to male enlightenment from body, soul and so on), at the same time, as a Chinesetraditional literati, Ye Zhaoyan is different from the others’ aesthetic taste for women. Women’s world andYe Zhaoyan’s novel "female" writing of meaning is mainly embodied in the "man don’t let women" pen andnovel construct colorful warmth.Effected by the unique personal experience, imperceptibly influenced by Wu Yue culture, effected bythe literary family, and influenced by the experience of reading, Ye Zhaoyan has an different concept ofwomen from other writers. First First of all, in childhood, Ye Zhaoyan had very unpleasant memories forthe cultural revolution,which reflected in its creation is that he created a kind of personal independence of conduct, tragedy women of the times; secondly, the ancestral home of Ye Zhaoyan is Jiangsu, and livingin Nanjing for a long time, so he was deeply influenced by the Wu Yue culture, both in his seriesof novels and in his novels which the south of the Yangtze River as the background; thirdly, YeZhaoyan was born in a literary family of Ye Zhaoyan Expo famous Chinese and foreignclassics, and deeplyinfluenced by his grandfather Ye Shengtao, this undoubtedly effected his creation, and the guidance of hisfather impacted his creation in another way. In the various forces above all, Ye Zhaoyan has a uniqueaesthetic for the female group. Based on this, It’s very necessary to conduct the research tothe unique "female" writing for Ye Zhaoyan,as one Chinese traditional literati novelist.
Keywords/Search Tags:Ye Zhaoyan, narrative discourse, "female" writing
PDF Full Text Request
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