On Ye Zhaoyan's Nanjing Writing

Ye Zhaoyan’s writing began in the 1980s and he has published a number of novels,collections of novels,and collections of essays.As he was born and grew up in Nanjing,he always consciously and unconsciously used Nanjing as his writing background and even his writing object.Taking Nanjing as the focal point and divergence point,his love and hatred,his sentimental thinking and criticism all have a solid connotation and support.From "The Hanging Green Apple" to "Large Time",Nanjing is no longer just a city in the traditional sense in the writing of Ye Zhaoyan.It is also not only the original township in reality,but has slowly accumulated as a culture.The carrier and psychological memory.Through the author’s concerns about Nanjing,readers can see how a literary person demonstrates his innermost desires,how to connect the city’s traditions and modernity,and how to expose people’s spiritual aims through culture.Ye Zhaoyan did not use Nanjing as the destination for his arrival and rest.Instead,he took the intrinsic culture of Nanjing and Nanjing to bear the important task of intellectuals’ thinking about where city culture and literature go.The paper is divided into five parts to discuss Ye Zhaoyan’s writing on Nanjing.The first part is the introduction,which summarizes Ye Zhaoyan’s creation,defines the scope of Ye Zhaoyan’s urban writing in Nanjing and the definition of urban writing in Nanjing,and at the same time,combines the results of previous studies to elaborate the characteristics and significance of this article.The first chapter starts with the reasons and analyzes in depth the possibility that Nanjing became the object of Ye Zhaoyan’s writing,and discusses it from the influence of the literary works of ancient and modern Chinese and foreign countries as well as his own life experience.The second chapter focuses on analyzing the contents of Ye Zhaoyan’s writings in Nanjing.It is divided into the narrative of the Qinhuai River in the Republic of China,the writing of the capital of the Republic of China as a political and cultural center,and the writing of Nanjing during the "Cultural Revolution" and the present Nanjing.It is intended to explore the psychological changes and psychological trends of love and hate in Nanjing from Ye Zhaoyan’s focus on urban writing in different periods.The third chapter further elaborates the unique personal style that Ye Zhaoyan has in Nanjing writing,including perspective,language and aesthetic sentiment.In particular,the culture of Nanjing and Ye Zhaoyan’s literati interwoven with each other produced a great co-orientation effect,which enabled readers to better understand the persistence and reflection of Ye Zhaoyan’s culture in writing Nanjing,and further deepen his understanding of the spiritual connotation of his writing in Nanjing.The embarrassment of the original township.The last chapter analyzes Ye Zhaoyan’s contribution in writing Nanjing and the regrets that remain.Ye Zhaoyan supplemented the writing of Nanjing with a chapter on urban writing in literary history,and demonstrated the relationship between modern literature and urban culture.At the same time,he also provided ideas for the development and improvement of urban cultural construction.Of course,the limitation of Ye Zhaoyan’s urban writing in Nanjing should also be seen.This has both the reasons for the development of the times and the limitations of the writers’ own temperament and the shift of thinking.In short,examining the writing of Ye Zhaoyan in the cultural context of Nanjing can provide insight into the spiritual outlook of a generation of writers,and promote the repositioning of the relationship between urban culture and people in the contemporary era.It also provides more reference and reference for later writing.