Ye Zhaoyan, as one of the representatives of the vanguard novels, his fame has less than Su Tong, Yu Hua and so on. But he and Su Tong, Yu Hua, Ge Fei and other avant-garde writers novels, completed the traditional building in ideology on the historical narrative and the deconstruction of grand narrative, so as to establish a diversified narration and personalized writing a new creative mode.From Ye Zhaoyan’s works, we can find this personalized writing mode focusing on death writing. Before the new period most writers rarely to death as a writing object, perhaps with "is known, how can you know death" of the Chinese traditional culture. Admittedly, the face of death people often behave, be at a loss what to do be nonplussed over sth.. Because it means that all disappeared, the dead can not regenerate, mention death people from the bottom of my heart, produce a kind of unspeakable horror. Since the new period, a succession of writers such as Lu Xinhua, Zhou Keqin, Ye Xin began to death as text writing objects, but most of them are plot, theme, is to show the political, disaster for the purpose, and not on the death itself to aesthetic attention and ontological research. From Ye Zhaoyan’s works, we can see not only the large number of deaths associated with the writing, and the writing of the subversion of the traditional literature to the death of noble and heroism in praise of the written pattern, really explore death behind the deep connotation, caused the people attention to life, the thought of life.Ye Zhaoyan will die as aesthetic object, with their sharp eyes and unique perspective on death. His death writing and not simply on a series of deaths were listed and the narrative, he is concerned with the death of the complexities behind, by the death of unpredictability to understand the life is limited, with death in human survival situation. It is theauthor’s death writing unique let death itself has more discourse space, allowing readers to face death by death--understanding the meaning of life, to look for the secular life of miscellaneous noise shielded by the human the imminent loss moral and ideal feelings.From this point of view, Ye Zhaoyan’s death writing has a unique charm and the out of the ordinary meaning. But in recent years the study on Ye Zhaoyan’s stay in its historical theme and" Night Mooring Qinhuai" research, for its death studies only a few papers and the papers did not relate to the study of death itself, just stay in the language and the research. Therefore, in order to give readers a more thorough understanding of Ye Zhaoyan’s death writing, this paper from the four aspects are discussed in detail from three aspects:first, to the death of Ye Zhaoyan to write the text connotation and careful analysis, allowing readers to understand its death writing is unique; secondly, combined with the writer’s novels are described in detail in the death writing art expression, experience death writing unique charm; once again, from the two aspects of cultural and aesthetic writers are writing causes death, understand its death writing form the deep reason; finally, from the two aspects of understanding author’s death writing meaning, i.e. for human survival of the thought and the meaning of life sure.In short, death is our forever cannot evasive topic, we are unable to escape the fate of death, death is like an invisible sword always hanging in the human head, it always possible to own sharp blade gave us a deadly blow. It is also because death is unique and unpredictable drives human exploration of curiosity. Therefore, Ye Zhaoyan with hisunique narrative point of view and superb artistic techniques revealed the mystery of death and accidental, in a sentimental tone gives death emotional sacrifice, with aesthetic style give death a poetic charm and aesthetic attention, with solemn attitude about death, the human condition, with positive the attitude in the face of death, looking for the value of human existence. |