| The performance of Scarlatti in the Bayan accordion (1685-1757) Sonata in B minor start, specific analysis of Bayan accordion playing a Scarlatti Sonata the required performance skills and style. In recent years, the domestic and foreign research about Scarlatti’s Sonata generally from the piano playing skills and style of study, but the Scarlatti Sonata in the accordion playing field was left out in the cold, research results of the stars. This paper mainly through Scarlatti played the sonata with new combination of Bayan accordion, the Sonata in B minor for detailed analysis. Scarlatti Sonata is usually used in single movement of ancient two musical structure, a variety of forms, melody bright, very suitable for the accordion to play, make full use of and Bayan accordion left free bass system, more make the music expressive force.The full text is divided into four chapters, by the analysis of Scarlatti’s music style, playing techniques, to the Scarlatti Sonata in B minor, in-depth study, and some problems that should be paid attention to in the style of works are discussed, in order to provide theoretical basis for future teaching and performance. The first chapter is the introduction, mainly about the research in recent years, the purpose and significance of the present situation and research. The second chapter is to study the Scarlatti Sonata style and playing techniques. The third chapter is the Scarlatti sonata music analysis, starting from Scarlatti’s B minor sonata music ontology research, comprehensive analysis and research of the. The fourth chapter is how to use the Bayan accordion playing a Scarlatti sonata. In the Scarlatti sonatas are the basis of a comprehensive analysis, mainly from the style of accordion playing skill aspects, combined with the advantages of Bayan accordion itself, from the control division, touch keys method category, decorative tone playing method and a device utilization and so do in-depth and detailed elaboration. |
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