Non-fiction Writing Of China In New Century

Early in the1960s," non-fiction writing" reached a climax in the United States,but in China, the word did not attracted widespread attention both inside and outsideof the literary world until the "People’s Literature" began advocating it in2010.Since February2010, the "People’s Literature" had published a number of " non-fiction " work in succession, in order to call for a new literary possibilitiescontinuously according to the creative reality. Among these works, Liang Hong,"Liang Zhuang "(Published in the title of " China in Village Liang " later.),Murongxuecun "China, less blindly medicine," Xiao XiangFeng" Dictionary:Industrial Life of Southern China " and Li Juan " Yangdao Ranch" series caused ahuge repercussion.In praise of the harvest," non-fiction writing" was also questioned andcriticized. leading to confusion of stylistic,authenticity and lack of literariness arethe focus of the literary criticism.Lots of critics want to take advantage of the popular of " non-fiction" tomake literature documentary style like reportage, biography widely known again,but "non-fiction writing" in this article refer in particular to published works in "non-fiction column "of" People’s Literature ", and take it as a new model so thatthis article will not involve in the debate of stylistic.This article will just explore itas a new creative mode features. The features of " non-fiction writing" are concludedin four main points in this article: First, orientation." Non-fiction writing" isinitiated to make a difference in the environment of Chinese literature, which callsgreatly for "action" in the literary creation; Second, behavior of the writer. Thewriters who take part in the " non-fiction writing" project of " People’s Literature" areengaged in the vast majority of mainstream literary fiction.They have a subjectivepoint of view different from the news reporters’, which make them to insist characteris more important than the events. They will care more about "people" in the specifichistorical background. Third, the present of writer. Because of the overlap of the first-person narrative and writer’s identity," non-fiction writing "has a natural scenefeeling, but this is not its final appeal." Non-fiction writing" emphasis is the writergets involved in the world physically and mentally, the present of the writer is a must to ensure the authenticity of the article; Fourth, of fictional literature on the theme.Fiction novel reveal the truth by fabricating one, and the " non-fiction writing "reveal the truth by showing the real facts (truth means universal truth). We don’tneed to discuss which of the two methods is the better one to reveal the truth."non-fiction writing " is the correction, balance and complement of the fictionalliterature.It will correct authentic discourse hegemony, balance the over attention offiction, make up for the lack of attention to the real world." Non-fiction writing" still has its limitations and deficiencies as a newphenomenon. Such as there are various confusions about the documentary style in thepoint of view of literary style. It is to the disadvantage of the self-assurance andindependent development of these stylistic; In the other hand there is limitations in itsliterariness,certain works pay too much attention to the event itself, the lack ofliterary deepening and sublimation, it will become a simple recording of real life,which is dull and boring; Another example is that the view of the writer himselfmay affect the true expression of the event, which will led to another kind ofunbalanced. Although there are still some defects in "non-fiction writing" in currentChina, but as a literary phenomenon derived purely internal nature of a genre ofliterature, the efforts it makes actively to save itself are worthy of recognition.